Mise en Place

Wine, Food, and Other Vital Things

Tastings: Picpoul de Pinet and Albariño (Plus, Snobs Bore Me)

Not so long ago, I found myself in a conversation with a certain type of individual who, when I paused to open a bottle of riesling from New York State and offered them a glass, looked at me and stated, with pride, “I don’t drink white wine.” I poured myself a glass and pondered that statement.

What they did drink were expensive bottles of red. Bottles that they let everyone (or at least those on their social media feeds) know they had purchased. I pitied this person then, and I reckon I do still. One of my tenets is that drinking wine does not make you sophisticated, no matter the price you paid for it. The bottle, so to speak, does not the man (or woman) make. I’m not sure if this individual has changed their mind about white wine, but I am certain that their need for that type of self-aggrandizement is alive and well.

I thought of this person and their personality when I sampled a few bottles of wine this week, an albariño from Spain and a picpoul de pinet from France. Inexpensive wines, enjoyable and delicious. I smiled, briefly, then forgot my misguided acquaintance entirely when I tasted the wines.

An albariño that calls out for oysters. (Brockhaus Images)

The albariño, from Adega Pazos de Lusco — “lusco” is Galician for “twilight,” and one can imagine opening a bottle of this on a terrace overlooking the sea as the sun is beginning to set, platter of freshly shucked oysters at hand — is dry, was aged on its lees, and fermented with native yeasts.

Notes of toasted pear and brûléed lemon mark the pour’s aroma, along with an intriquingly evanescent note of briny green melon. My first taste of this wine brought the word “green” to mind, and the flinty profile here satisfies well.

Adega Pazos de Lusco is located in Galicia, close to Spain’s border with Portugal. (Familia González Byass)

Adega Pazos de Lusco is located in Galicia, about 2 kilometers from the Portuguese border, in Condado do Tea (County of Tea), a subzone of the Rías Baixas appellation. It has been part of Familia González Byass since 2016.

The winemakers gave this an 8-hour cold soak at 8 degrees Celsius, followed by 25 days of fermentation in stainless steel tanks. It’s filtered and fined. Alcohol is 13 percent. Pair with small and cold oysters, butter-poached shrimp or lobster, or baked mullet. Suggested retail price is $31, but it is often found at lower prices. Search here.

Try pairing this wine, from Jean-Luc Colombo, with a lobster salad. (Brockhaus Images)

In 2024 my partner and I, along with another couple, visited Jean-Luc Colombo’s beautiful vineyards near Cornas during a birthday trip to Burgundy and the Northern Rhône. Colombo’s sites there overlook the Rhône River, and produce some great wines. I like the man’s fierce dedication to his winemaking and lands, and was happy to have recently sampled a wine of his made in another region of France, namely, Languedoc-Roussillon.

A girelle is a fish, known in English as a wrasse, and this bottle from Colombo displays a pair of rainbow wrasses on its label. The males are resplendent, and display bands of yellow and green and blue and orange, which often appear to shimmer and change hue. They are also lively fish, darting energtically to and fro in the waters of the Mediterranean.

Jean-Luc Colombo is a man of strong and outspoken passion and pride. (Vins Jean-Luc Colombo)

While Colombo’s picpoul de pinet is not as colorful as the male wrasse, it is a lively and aromatic wine full of freshness and structure. It’s 100 percent piquepoul blanc, a grape naturally high in acidity, a “lip-stinging” pour that is meant to be served chilled (54 degrees Fahreheit is ideal). I paired it with a cold lobster salad, and would also happily drink it while dining on raw oysters, Dungeness crab, or a seafood platter. Beautiful citrus on the nose and palate — lemon and grapefruit — as well as some acacia and brininess throughout. I’ve not had a more enjoyable wine at its suggested $18 retail price. Look for it here.

If I should happen to find myself at a table alongside the individual mentioned above, the one who disdained my riesling, I’ll likely offer them a pour from my bottle, because it’s the polite thing to do, no? It might be an albariño or a simple muscadet, or perhaps it will be a Grand Cru Chablis or a magnum of Krug. You see, I have nothing against expensive wines; in fact, I have liked or loved nearly every single one of them I have drunk. I do, however, detest drinking in the company of snobs. That turns spending time with even the best of wines into a loathsome experience.

A Houston Restaurateur’s Wine Life

Charles Clark has been a mainstay of the Houston culinary scene for decades. His approach to food and wine is bold and dynamic; time spent in Spain early in his career had a profound effect on the way he hosts and feeds his guests.

Charles Clark pours for guests at his Brasserie 19. (Andrew Hemingway)

I always enjoy spending time at Brasserie 19, Clark’s popular and lively place on West Gray Street. Seated at the bar is best, and the people-watching opportunities are legion. The wine list is large and full of value, the food commendable.

Clark is the subject of the latest Wine Talk, and he has a lot to say. It was published in PaperCity Magazine, and you can read it here.

The Love of the Labor of Cooking is Never Lost

Summer is nearly run out, though here in Southern California a week of high heat is upon us. It’s going to be 94 Fahrenheit on Wednesday, and it appears that similar highs will persist through the end of the week. So it goes …

My Labor Day weekend was highlighted by a dinner party we hosted on Saturday, for which I began prepping on Friday by making gazpacho and ice cream. I was at lunch a week or so ago at Marino Restaurant and Sal Marino gave me his recipe for gazpacho, which I used. Here is an image of his version of this dish:

Sal Marino’s gazpacho is a tomato bomb. (Brockhaus Images)
A few of the tomatoes I used for my gazpacho. (Brockhaus Images)

The guests numbered four, two regular dinner and cooking companions, two whom we have been attempting to get to our table for a few years now; something or other always interfered. But that is now a thing of the past.

This is a dish that everyone should master. Simple, yet full of complex flavor. (Brockhaus Images)

The ice cream I made without eggs, a Philadelphia-style spicy-maple concoction. I used heavy cream and simmered in it cardamom pods, cinnamon sticks, and some salt. About a cup of maple syrup I reduced, then added to the cream and milk mixture, and it all chilled overnight in the refrigerator. I made a chocolate-banana bread on Saturday morning and served the ice cream with it for dessert.

Spices and cream (Brockhaus Images)
A bread made with bananas, yogurt, and chocolate, plus browned butter. (Brockhaus Images)
The closing dish. (Brockhaus Images)

The table was set Saturday afternoon.

A seat for the evening. (Brockhaus Images)
The table is ready. (Brockhaus Images)

The rest of the menu came together on Saturday. For the main course, spices including red pepper flakes, smoked paprika, toasted and ground coriander, and fennel seeds were simmered in olive oil for 30 minutes; that mixture melded for four hours, then I slow-cooked a coho salmon at 300 Fahrenheit for 20 minutes in the oil.

Olive oil and spices mingled for four hours. (Brockhaus Images)

We opened with the gazpacho, then I served rigatoni with basil pesto; the leaves had been harvested that afternoon from our balcony garden.

This basil could be no fresher. (Brockhaus Images)
Pasta and basil pesto: I could eat this on a daily basis. (Bethany Burke)
Gazpacho opened the meal. (Bethany Burke)
Katherine Jarvis brought a 2014 Pur Sang from Domaine Dagueneau. (Brockhaus Images)
I cooked the salmon at 300 Fahrenheit for about 20 minutes. (Brockhaus Images)
Shannon Windham, a great cook, is never an unwanted guest. (Bethany Burke)
Shannon at work. (Brockhaus Images)
A few of the bottles we shared. (Brockhaus Images)
They gathered around a table … (Brockhaus Images)

There are few things in life I love and appreciate more than cooking and sharing my food with others, especially friends and family. It is love’s labor, a work and passion for which I live. I hope on this holiday that whatever you cook is delicious, and that you are able to share it with people you love.

It’s Was a Rosé Sunday, and the Party Continues

Last Sunday I attended a party devoted to rosé, an annual gathering organized and hosted by several individuals in the wine industry. It takes place in the backyard of a home in Santa Monica graced by a beautiful coast redwood tree, and serves as a reunion for may of the attendees, as well as an occasion for many to meet people new to them. Not everyone at the party is in the wine business, but many are, and the wines assembled by attendees are myriad and diverse, though all are rosés.

Coincidentally, I sampled a wine this week from a legendary land of rosés that I liked immensely. But it’s not a rosé. It’s the 2025 Château Gassier Côtes de Provence Blanc, 100 percent vermentino, made by Léa Rouyet, a Basque Country-born winemaker who’s been at Gassier since 2015.

A wine from a beautiful, sun-drenched region of France. (Brockhaus Images)

This wine hails from Sainte-Victoire, a storied area replete with vineyards that produce elegant rosés and stellar, if underappreciated by many, whites. Gassier harvests the wine’s fruit at night, which helps reduce oxidation. Direct and slow pressing, with minimal contact between skins and juice, gives a freshness and seductive color to the finished project. Poor soils of clay and limestone have created a wine with a rich body and energetic, stellar acidity.

The Gassier winery, in Puyloubier, France, sits at the foot of Mont Sainte-Victoire. (Château Gassier)

In the glass this wine is very light in color, and appears almost irridescent in certain light. Aromas of white stone fruit and lemon blossom dominate, followed by soft melon and minerality on the palate. This is a thoroughly refreshing wine, one that I paired with a honeydew melon and prosciutto. It would also pair well with oysters or a tuna ceviche.

Léa Rouyet is the winemaker at Château Gassier. (Château Gassier.)

This wine sells for around $20, and is a good one to have around for when that impromptu guest stops by. I have a bottle in my refrigerator now, and look forward to opening it soon. Find it here.

Great Pairing: Virginia Seyval Blanc and Crayfish

Seyval blanc. Heard of it? If not, you are not to feel badly. While it is a grape that has been around for a while, and has proven its place in the wine world, it is not widely planted in North America — estimates hover between 700 and 900 acres in the United States and Canada. For comparison, upwards of 75,000 acres of pinot noir, and more than 115,000 of cabernet sauvignon, are planted in the two countries.

This is 100 percent seyval blanc from Virginia’s Barrel Oak Winery & Brewery. (Brockhaus Images)

Seyval blanc is a hybrid, and was developed by Bertille Seyve and his father-in-law, Victor Villard, in the 1920s in their nursery in France. For those who appreciate such information, it is a cross of 50 percent Vitis vinifera, 37 percent Vitis rupestris, and 13 percent Vitis licencumii. It is a high-acid grape, and it tends to ripen early, which makes it particulary suited to cooler climates.

And cooler regions is where it shines, including England, where makers of sparkling wine are using it to great effect; the Finger Lakes region; Canada; and the Lake Erie AVA.

Virginia is also a player here, a state in which recent statistics indicate that about 40 acres of seyval blanc are planted. It is produced by myriad wineries, including Barrel Oak Winery & Brewery, a 78-acre estate responsible for my wine of the day.

Barrel Oak Winery & Brewery encompasses 78 acres in Virginia’s Piedmont region. (Barrel Oak Winery)

The 2024 Barrel Oak Seyval Blanc is a cork-closure wine whose fruit is grown in the estate’s B-Block plot, which is situated between 500 and 700 feet above sea level in the Middleburg AVA. Soils are marked by clay with deposits of gneiss and granite, a composition that gives this wine an appealing minerality on the palate. Alcohol is 11.25 percent, 353 cases were produced, and it did not go through malolactic conversion. This is an all-stainless steel creation, crisp, bright, and lively.

Jeremy Ligon, Barrel Oak winemaker, joined the estate in 2021. (Barrel Oak Winery & Brewery)

In the glass, the wine is a pale, soft yellow, and body is light to light-plus. Harvest brix of 22.0 should leave us with ample acidity, and a first taste of the wine makes that evident. Orange flower is definitely in the aroma and on the palate, along with bright apple, perhaps Granny Smith. I served this bottle with sautéed crayfish and angel hair pasta, and the winemaker team, led by Jeremy Ligon, suggests seared trout with lemon and capers, which I’ll try next time I drink this wine. It carries a suggested retail price of $30 (purchase from the producer or search here.

I’m working on a profile of Barrel Oak that will include a discussion with Ligon, and I’ll soon be sampling the estate’s 2022 Chocolate Lab, a port-style product, and the 2023 Vidal Blanc. Keep your eye on Virginia, a state with more than 300 wineries within its borders.

This story was originally published in PaperCity on Sept. 1, 2026. Read the original version here.

A Little Yakitori Night Music

The restaurant’s signage caught my eye nearly every time I drove past it, which had been at least 500 times. It’s named Nanbankan, and its entrance is nondescript and unadorned, and that is what attracted me. I love Japanese cuisine, and this restaurant, with its narrow storefront and plain sign, seemed almost a speakeasy. I wanted to know what unfolded inside the door. For whatever reason, I had never taken the time to stop by and see what it was all about. Until a few nights ago.

I had made plans earlier in the week to meet my friend Allison for dinner, and, as we both live equidistant from Nanbankan, I suggested we meet there. It serves Yakitori, and, as its menu stated, “other good things.” Turns out, false advertising it was not.

A promising cover. (Brockhaus Images)

“Yaki” means “grilled,” while “tori” is translated as “bird, or chicken.” Grilled chicken. Nanbankan serves that, and Allison and I shared a fine example of negima, rich thigh meat and green onions on a bamboo skewer grilled perfectly, moist and full of smoke and glazed with tare (soy and mirin). It was the opening dish among many that we shared.

Need one anything else with which to begin a meal? Chicken thigh and green onions.

What followed, in no particular order, were lamb chops, yellowtail collar, eggplant, slightly — to my taste —overcooked ebi (shrimp), onigiri, one of which was stuffed with salmon, the other “house style” with scallions and assorted other ingredients, New York strip steak, mushrooms, and chicken breast wrapped in shisho leaf.

Shrimp grilled simply and perhaps 8 seconds too long.

We were seated at the far end — the last two seats next to a wall — of the bar, which wraps around the grilling area. The best seats, I would say, as we had a view of the entire busy yet orderly room. Older couples were there, as were diners in their thirties and twenties. I could tell that some of them were regulars, because their familiarity with the staff was evident. The Band played through the speakers, a good sign.

Every dish, excepting, as noted, the shrimp, was much more than good: the rice cakes with crisp exterior and warm and moist interior, the mushrooms slightly chewy and earthy, the yellowtail collar cooked with aplomb — flesh flaky and briny. I especially liked the two chicken dishes, and the egplant was perhaps the best thing of all.

Lamb was a blackboard special at Nanbankan.
Yellowtail collar: crisp skin, delightfully flaky flesh.
Onigiri made well.
New York strip with a tangy and rich glaze.
I love meaty and earthy mushrooms, and these were that exactly.
Tender, moist breast meat wrapped in shisho leaf.
The 2025 ‘Wild Series’ skin-contact white from Pali Wine Co.

Allison brought a bottle of ski-contact white from Pali Wine Co. — Nanbankan has a $20 corkage fee — and it paired well with most everything we ordered, though the steak skewer might have been better off with a red. The Pali wine is a blend of gewürztraminer and pinot noir, fruit of the former from Danny’s Vineyard in Monterey County. The pinot is Pali estate.

Nanbankan is a place to which I can walk, and that makes it even better. Plus, upon entering I was greeted by a gracious and attractive man with silver hair wearing a tailored seersucker suit. What could be better?

I shall return, soon, to Nanbankan, this time with Angela. And I will order pork.

Where the action takes place. (Brockhaus Images)

(All images, unless noted, courtesy of Please the Palate.)

June Rodil Puts Wine and Hospitality in Proper Perspective

I take wine and food very seriously, but not so seriously that their true meanings and place in life become obscured by human vanity. I began drinking and learning about wine while in high school, in the Rheinland-Pfalz. It was everywhere, a part of daily life, consumed by most everyone in one form or another, held in high esteem but not made into a personal badge of “sophistication” and “discernment.” It was and is a beverage made possible by the humble yet vital work of farming.

That said, I think about wine constantly, and have been learning about it — a never-ending journey — since that first sip of Basserman-Jordan. I love wine, I respect wine and the people and lands that birth it, and I am glad it is part of human existence.

June Rodil also respects wine, and thinks about it daily while keeping it in proper and sane perspective. “You don’t need to know the producer’s elevation, soil composition or preferred method of canopy management before you’re allowed to enjoy the bottle. You don’t have to pretend to recognize an aroma. You’re also allowed to dislike an expensive wine and love an inexpensive one,” Rodil says. I respect that take, and agree.

Rodil, a master sommelier and lover of chicken fingers, is featured in the latest edition of Wine Talk, which you can read here.

June Rodil’s brut rosé is perfect for any occasion. (June’s Rosé Instagram)

A Pinot Noir, a Rhône-Style Red, and Two Chardonnays

Debra Mathy is the owner of Dutcher Crossing Winery, a Dry Creek Valley estate that she purchased in 2007. A trip to France during high school, one that involved visits to a number of wineries, put an idea in her head: I want to one day make wine, and own a winery, she remembers telling her parents.

After a career in education, she made her dream come true. She purchased Dutcher Crossing and has been at the helm of the estate ever since. One of her wines is in this week’s Tasting Notes, which you can read here. You’ll also find bottles from Lynmar Estate and Refugio Ranch.

A trio of notable wines. (Brockhaus Images)

A Bottle for Saturday and Roast Chicken

The weekend is here, and a roast chicken is part of it. On Wednesday morning I liberally sprinkled salt and pepper on a chicken, stuffed some thyme and garlic under its skin, and put it in the refrigerator, uncovered. It would stay there, brining, for about 40 hours.

Some of you might have, upon reading the above, thought of Judy Rodgers. Yes, I based my prep method on her beloved recipe, which you can find in one of my favorite collections of recipes, “The Zuni Café Cookbook.” I was not to make the bread salad this time, for various reasons, but if you have never enjoyed this dish I urge you to try it — either make it yourself, or get a table at the San Francisco restaurant.

A perfect way to roast a chicken. (Brockhaus Images)

What I had in mind for my chicken was to enjoy it over a few days and meals, the first one being a dinner of roast chicken, baked spaghetti squash, and a beet and chèvre salad. On the next day I would boil potatoes I had sliced, then add some green beans to the water for about three minutes at the end of the process. I also sautéed green bell peppers. I put all of the warm vegetables into a large bowl and covered it loosely while I pulled the leftover chicken into suitably sized pieces.

Cast-iron bird: Crisp skin, tender meat. (Brockhaus Images)

To the warm vegetables I added salt, black pepper, some red wine vinegar, thinly sliced shallots, and olive oil. Finally, the chicken went in. That mixture was gently tossed, then tasted for seasoning. More salt. Plated it in a bowl, and topped with a few dollops of chèvre. Comforting, wonderful acid from the vinegar, crisp beans, and melting-sensation potatoes.

A light-golden hue in the glass: The 2023 Rhys Vineyards Mt. Pajaro Chenin Blanc has a lot going for it. (Brockhaus Images)

To the bottle of wine, which I paired with both dishes. It was a chenin blanc, from Rhys Vineyards, the 2023 to be exact, fruit from Mt. Pajaro Vineyard. This is a stellar example of domestic chenin blanc, full of gravelly minerality and ocean influence — Mt. Pajaro, about 8 miles from the Monterey Bay, is Rhys’ sole vineyard in the southern region of the Santa Cruz Mountains, and the soil profile of the 18-acre vineyard has had a profound effect on this wine. Brown and black shale and sandstone, plus shallow topsoil, have produced concentrated fruit and a wine with thrilling tension. The vineyard lies between 717 and 980 feet above sea level.

I am working on a longer, more in-depth piece on Rhys, because these wines are impressing me and they deserve attention.

The wine spent 12 months in oak — 100 percent neutral barrels — and six months in stainless steel; whole cluster was used. The clone here is 982, and Rhys farms .94 acres of chenin blanc in the vineyard, which is mainly planted to pinot noir and chardonnay. On the palate, I appreciated the combination of wet stone and paraffin, along with lemon and pear. You can find this wine for around $60, and I’d love to taste this vintage five years from now.

Mt. Pajaro Vineyard was planted by Rhys in 2014 and 2015. (Rhys Vineyards)

Here’s a look at a few other things I have cooked lately, including a banana bread into which I swirled a mixture of chocolate and peanut butter; picadillo tacos; two-egg pasta with a long-simmered Bolognese made of beef and pork; and king oyster mushrooms.

A bread made with five overripe bananas, sour cream, and a few eggs. (Brockhaus Images)
A touch of chocolate and peanut butter … (Brockhaus Images)
Sautéed corn, radish, Good Mother Stallard beans, and queso fresco are all here. (Brockhaus Images)
Flour, egg, and olive oil: pasta of irregular shape but wonderful texture. (Brockhaus Images)
Beef and pork a good Bolognese make. (Brockhaus Images)
I found these at a local Asian grocer. (Brockhaus Images)
Score the mushrooms and the sauce permeates them in grand manner. (Brockhaus Images)

Carlos Luján Has the Wine List at Tony’s in Great Form

I have enjoyed many meals at Tony’s, one of my favorite places in Houston. Tony Vallone first opened the doors to his restaurant on April 1, 1965, and it is now serving guests in its third location. A small group of longtime diners has taken a majority stake in the iconic restaurant and a renovation is underway. I look forward to seeing its new look when I am next in Houston, and ordering white bolognese rigatoni and lamb.

I always take pleasure in leafing through the wine list at Tony’s, and here’s a look at the man now in charge of it. His name is Carlos Luján, and he’s the subject of the latest Wine Talk, which you can read here.

« Older posts

© 2026 Mise en Place

Theme by Anders Noren — Up ↑

Mise en Place

Wine, Food, and Other Vital Things

Skip to content ↓